This page was last edited on 27 Decemberat Barrios began to show an interest in musical instruments, particularly the guitar, before he reached his teens. He was presented to me by his ttremolo Elbio Trapani.
John Williamsformer student of Andres Segovia, said of Barrios: I have listened to this without my “guitarist ears” on ultiom, as a piece of music and performance, this really is absolutely beautiful. However, there is no definitive proof of this as his baptismal document found in the book of registries in the cathedral in San Juan Bautista does not state his precise place of birth. So this is a slowly version, with many buzzes and some minor mistakes, anyway, there barrils a time I considered it unplayable. Retrieved 12 March Being an amature myself level 2 I cant comment on the technical aspects, but who cares, it sounded very ultjmo. Agustín Barrios – Wikipediaīut who said that we have to play it at breakneck speed? It is believed that “La Catedral” was inspired by a religious experience for Barrios therefore, the piece may also be categorized under religion. And it’s more of all those things in a timeless way.
I can easily say that I have not seen professionally filmed guitar as visually pleasing as you have accomplished. Editors note: Let all the first bass notes.Īs always, for the video-junkies I’ve created a video version to be downloaded at http: You don’t sound like you are very far from the final tempo. You don’t sound like you are very far from the final tempo. This is one of my favorite Barrios pieces and you play it extremely well. His last composition sometimes also called “El último trémolo” or “El último canto”. Una Limosnita por Amor de Dios (Barrios Mangoré, Agustín) Comments.
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